Rane SIXTY-ONE Manuel de l'opérateur télécharger pdf (Page 6)

Key Features

• Sixty-One Mixer comes bundled with

Serato Scratch Live, plus ASIO and Core

Audio Drivers.

• The USB 2.0 port supports six stereo

record and four stereo playback

channels.

• Record channels support:

• Control signal for two Virtual Decks.

• Record PGM 1 and PGM 2 post-fader.

• Recording the Main Mix or the Mic.

• FlexFx USB Insert Send to computer.

• Playback channels support:

• Playback for two Virtual Decks.

• USB Aux playback for SP-6 sample

player.

• FlexFx USB Insert Return from

computer.

• 32-bit oating-point audio, 48 kHz

sample rate.

• PGM controls include:

• Level, 3-band full-cut EQ, L/R Pan.

• HP/LP Filter with resonance adjust.

• FlexFx and Headphone Cue assigns.

• Magnetic faders with contour and

reverse.

• Mic input with FlexFx and tone controls.

• Advanced post-fader FlexFx Loop:

• External analog insert for analog Fx.

• USB Insert for post-fader software Fx.

• Wet / Dry control and headphone cue.

• USB Aux input for the SP-6 sample

player.

• Main Mix and Session Inputs / Outputs.

• Headphone monitor with split cue

option.

Sixty-

One Mixer

Overview

Power Supply

The Sixty-One features an internal

universal switching power supply that

operates on any AC mains 100 to 240

VAC, 50 or 60 Hz (most places in the

world). All that is required when traveling

is the appropriate IEC line cord which is

usually readily available. The universal

supply is a major plus for the traveling

DJ. Leave the power unplugged until

everything else is connected!

Analog Inputs

Four Phono / CD inputs are provided

by RCA jacks. These may be set for PH

or CD using rear panel slide switches.

Analog inputs 1 and 2 are used by

Program 1 (PGM 1). Analog inputs 3

and 4 are used by Program 2 (PGM 2).

Analog input 1 or 2 may be selected in

Scratch Live software as the Digital Vinyl

Simulation (DVS) signal for the Left Virtual

Deck or for recording on USB stereo pair

5-6. Analog input 3 or 4 may be selected

in software as the DVS signal for the Right

Virtual Deck or for recording on USB

stereo pair 7-8. Set any unused inputs to

CD. Connect your turntable ground wires

to the ground posts provided on the rear

panel when using PH inputs.

One stereo Session Input is available

on a pair of RCA jacks. This input may

connect two mixers together, or as a

general purpose auxiliary input.

The Mic Input will accept an XLR

3-pin plug, a balanced ¼˝ TRS (tip-ring-

sleeve) plug or an unbalanced ¼˝ TS

(tip-sleeve) plug. This input may be set for

Microphone or Line level using the Mic /

Connecting

the Mixer

Line switch on the rear panel. Set this to

Line when connecting a wireless receiver.

A stereo FlexFx Loop Return input

is from a pair of unbalanced ¼˝ TS

jacks. These inputs are automatically

congured for mono when only one cable

is connected to the Left or Right Return

input. The FlexFx Return input is normally

used in conjunction with the FlexFx Send

output to connect an outboard analog

effects processor.

Analog Outputs

There are four stereo analog outputs on

the mixer: Main Out, Session Out, FlexFx

Send and Headphone Monitor.

• Main Out is on a pair of balanced ¼˝

TRS (tip-ring-sleeve) jacks.

• Session Out is on a pair of unbalanced

RCA jacks.

• FlexFx Loop Send output is on a pair

of unbalanced ¼˝ inch TS jacks. For a

mono FlexFx Send, use the Left output.

The FlexFx Send output is normally

used in conjunction with the FlexFx

Loop Return input to connect outboard

effects.

• Headphones output is available on both

¼˝ TRS and 3.5 mm jacks.

The Main and Session outputs come

from the same “Main Mix” signal. Main

and Session outputs each have their own

Level control. Because these signals are

identical, you may use either of these

outputs as the “Main” output if the

other cable type is required for system

connection.

That said, Rane recommends balanced

wiring for the strongest signal and

rejection of hum and noise. If your cable

to the destination is less than 10 feet (3

meters), you can often get away with

an unbalanced cable. If the distance is

more, use ¼˝ TRS cables from the Main

Out. See the RaneNote “Sound System

Interconnection” at rane.com for cable

wiring recommendations.

RANE SIXTY-ONE MIXER FOR SERATO SCRATCH LIVE • OPERATOR’S MANUAL 2.5.0

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Rane SIXTY-ONE Manuel de l'opérateur Page 6

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