Rane SIXTY-EIGHT Manuel de l'opérateur télécharger pdf (Page 10)

path and turning it on. So, it’s important to

understand the different control functions.

The order of processing in the FlexFx

Bus is:

1. FlexFx assign for each PGM and Mic.

2. Internal Effects

3. Ext. Analog Insert

4. USB Insert

5. Cue

6. FlexFx On

7. FlexFx Mix Level control.

These are shown with signal ow in the

drawing below.

1. The FLexFx buttons located in the PGM

and MIC channels assign signal to the

FlexFx Bus when on (blue), and to the

Main Mix when off. This allows multiple

inputs to the FlexFx Bus and allows

drumming different signals into and out

of an applied effect without interruption.

2. The six eFFect buttons both turn

on and sync an internal effect. By

keeping this separate from the FLexFx

oN button, it is possible to turn on,

sync and cue effects, before you hear

them in the Main Mix. Only one internal

effect is selected at a time. Having six

independent buttons, it is possible

to drum in different effects all with

independent beat multipliers, without

interruption.

Cue Points

You can set and trigger cue points in

Scratch Live by using the cue buttons on

the Sixty-Eight. Pressing a cue button will

trigger the corresponding set cue point in

Scratch Live. If a corresponding cue does

not exist, pressing a cue button will set a

new cue point.

Delete

You can delete a set cue point in Scratch

Live by pressing and holding the DeLete

button, then pressing the corresponding

cue button.

For more information on cue functions

in Scratch Live see “Cue Points” on

page 29.

FlexFx

The FlexFx Bus in the Sixty-Eight works

differently than other basic effect insert

solutions. The FlexFx Bus is more like

an auxiliary bus that can have multiple

signals assigned to it. Those combined

signals can have internal effects,

external analog effects and external USB

effects applied in any combination. It is

possible to cue and control the level of

this auxiliary mix in the Main Mix. This

architecture is very exible and not at all

like simply inserting an effect in a signal

FLEXFXPGM 1

1 2 3 4

6 7

FLEXFXPGM 2

FLEXFXPGM 3

FLEXFXPGM 4

FLEXFXMIC 1

FLEXFXMIC 2

MAXMIN

LEVEL / DEPTH

BEAT 

FILTER

EFFECTS ENGINE

EXT. INSERT

SEND

 BEAT

TIME

TAP

PHASERFLANGER

ROBOTECHO REVERB

BPM: 120

TIME: 125MS BEAT: 1/4

[-------|-----------]

FLEXFX ON

BYPASS

RETURN

SEND

LEFT

RIGHT

RETURN

LEFT

RIGHT

SEND

RETURN

USB

Record

USB

Playback

Main

Mix

5 INSERT

Cue

Bus

CUE

FLEXFX MIX LEVEL

MAXMIN

3. ext. INSert is turned on/off with a

separate button. The External Analog

Insert can be used with internal effects

and USB Insert or independently. This

button will have no effect if there is

no external processor connected to

the FLexFx LooP jacks on the mixer. The

FlexFx submix may be recorded via the

analog FLexFx LooP SeND.

4. The USB Insert is turned on/off with

the separate

5 INSert button. The

external USB insert can be used with

internal effects and analog insert or

independently. The USB Insert uses

USB record-5 and playback-5. The

Send can serve as a USB audio output

for recording a submix on a computer,

or be used in conjunction with the USB

Return to form an external USB effects

loop. This loop feature eliminates gain

structure issues associated with using

Send and Return signals that are not

co-located.

5. The FlexFX cue is located after internal

effects, analog External Insert and the

USB 5 Insert. It is located before the

FlexFx On and FlexFx Mix level. This

allows the processed Bus signal (wet or

dry) to be cued at any time.

RANE SIXTY-EIGHT MIXER FOR SERATO SCRATCH LIVE • OPERATOR’S MANUAL 2.4.4

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Rane SIXTY-EIGHT Manuel de l'opérateur Page 10

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